Selected Work

These are the photographs I’d show someone who asked, “What do you photograph?”

Stormy seas below the white chalk cliffs at Birling Gap, East Sussex.
A wooden telegraph pole and radiating overhead wires photographed from below against a pale sky in monochrome.
A customer orders pizza from a brightly lit takeaway beneath vivid red neon signs on an evening street.
A red passenger train approaches along railway tracks, seen through a protective metal grid in an eye-level opening on a pedestrian bridge.
A badly damaged orange traffic cone stands in front of a rusting grey electrical cabinet displaying three yellow Danger of Death warning signs.
A dark reed head hangs in silhouette against a pale, softly blurred sky in monochrome.
The shadow of a bicycle wheel stretches across sunlit pavement, forming a broad curved arc crossed by fine spoke shadows in monochrome.
Rolling green hills in low golden light, with long shadows falling across the folds of the landscape and haze softening the distant Weald.
A pale brown crab spider rests on a light stone surface, its long speckled legs spread around its body in close-up detail.
An intentional camera movement photograph of sunlit green foliage, creating flowing vertical streaks and an abstract impression of woodland.
A close-up of a sundew leaf covered in clear, glistening droplets on fine sticky hairs against a dark background.
Sunlight catches raindrops on a dark bench, creating bright textured highlights and deep geometric shadows.
A tiny blue mussel shell photographed as a focus-stacked macro study, isolated against a dark background with generous negative space.
A small sailing dinghy crosses rough, sunlit water beside the harbour wall, dwarfed by the structure and the fishermen above.
A woman walks through a sunlit pedestrian underpass at Brighton Marina, with concrete stairs and strong geometric shadows leading towards Black Rock and the seafront.
Pedestrians, reflections and the photographer briefly align through the windows of a passing London bus on Tooting High Street.
A suspended height-restriction bar hangs from chains beneath the concrete structure of a car park at Brighton Marina, silhouetted against a pale blue sky.
A young passenger sits in silhouette beside an aircraft window, their profile softly outlined by the bright light outside.
A person pauses to look at their phone in a narrow cobbled passage in Prague, framed by worn walls, steps and old street lamps.
A tangle of steel cables and a padlock wrapped around a stone pillar in Prague, casting sharp shadows in strong sunlight.
The skeletal remains of Brighton West Pier stand reflected in wet sand during blue hour, with gentle waves and a calm morning sea.